The house’s discount 15% · 18% · 20% off, for orders received up to December 31, 2026 How the discount works

Drawn first.
Made perfect.

Every L'Vinci piece begins as a drawing on paper, approved by our Chief Designer and made by hand for you.

The Nugget Pendant, Toledo. Drag to turn.

The house's discount

For orders received up to December 31, 2026, the house's discount grows with the value of your order: fifteen percent at the first threshold, three percent more at the second, and two percent more at the third — up to twenty percent. It is the house’s courtesy for its clients and friends, it applies to the list price and not to tax, and it is confirmed by the bench with your written quotation — before any payment is taken.

First threshold
15%
orders from $5,000 to $8,000
Second threshold
18%
orders from $8,001 to $12,000
Third threshold
20%
orders from $12,001 and up

How the discount works

  1. Every piece carries a list price, the one shown with it on this site. The discount is set by the total of your order, before tax: fifteen percent to begin, three percent more at the second threshold, and two percent more at the third.
  2. You tell us the pieces and the stones; the bench prepares your quotation.
  3. Your quotation applies the discount your order earns to every piece in the order, and states the final price in writing.
  4. Nothing is charged until the written quotation is in your hands and you accept it. The discount is for orders received up to December 31, 2026.

The discount is the house’s own courtesy for clients and friends, counted on the list price before tax and taken off every piece in the order. Each threshold is reached by the value of the order alone, and the discount applies of itself — you never have to ask for a discount. Orders are received under this discount up to December 31, 2026. Outlet and eBay prices are already final.

  • Made to order by hand in 3-4 weeks
  • Insured, signed-for delivery
  • Secure checkout by Shopify
  • One free ring resize in the first year
  1. Drawn

    On paper, at scale

    Each plate is drawn full size before any metal is cut, then tested against the hand it is made for.

  2. Struck

    One piece at a time

    Nothing is cast in batches. The nugget is raised, the shank forged, the granulation laid bead by bead.

  3. Set

    Stones in placement order

    Seats are cut to the individual stone. You choose which goes where, and the bench follows your order.

The people I design for are my jewels. I want them to feel the joy I felt when I did my first design — that is my purpose.

Maggie · founder of L'Vinci

The Toledo Collection

Seven pieces from the first bench session

The nugget pendant, the signet, the barrel ring, the granulated plaque and the studs. Drawn as one design and struck by hand, offered in four metals, with the stone in every seat yours to place.

Nº 01

Nugget Pendant

6 seats · from $3,387.50

Nº 02

Signet Ring

3 seats · from $2,836.25

Nº 03

Barrel Ring

4 seats · from $3,263.75

Nº 04

Granulation Pendant

4 seats · from $1,385

Nº 05

Solitaire Studs

2 seats · from $1,632.50

Nº 06

Duo Studs

4 seats · from $2,183.75

Nº 07

Petit Studs

2 seats · from $869.75

Yours

Build it →

Choose the gold and every stone, then buy online

Platinum, and diamonds cut long

The Miami collection, coming soon

The next collection opens soon. Platinum 950 and IGI-certified diamonds: a five-carat emerald-cut laid east–west, and a toi-et-moi for the ear. The first pieces, photographed at the bench.

Our Jobs

Delivered from the bench

Recent commissions, photographed and filmed exactly as they left the atelier. Each drawn from a numbered plate, made once, and worn every day since.

The Nugget Pendant in gold with multi-colour stones, photographed on printed green silk
The Nugget Pendant, drawn first
See the piece
A hand wearing the East–West ring, photographed in low light
The East–West ring, worn
Coming soon
The Toledo session, on film
See the collection
The Nugget collection laid out together: pendants, rings and earrings beside a gold mirror
A family of plates
See the collection
A stone-set gold ring worn over green printed silk
Worn over silk
See the piece
The Nugget Pendant on a navy velvet bust
The Nugget, at rest
See the piece
A gold pendant worn over a printed blouse
Worn at the atelier
See the collection
The rings, on film
See the collection
Rings worn on crossed hands, photographed over an embroidered jacket
Made to be lived in
Coming soon
Ruby-set gold studs and a ring on clear acrylic blocks
Rubies, on acrylic
See the piece
The Nugget Pendant worn with a white T-shirt
Every day, on a white tee
See the piece
Two hands in the sun, each wearing a stone-set gold ring
Two hands, two rings
See the piece

Made to be lived in

The same model reads differently in every alloy.

Turn the piece, change the gold, set the stones. What you see in the builder is the geometry the bench works from: the same plaque, the same rim, the same six seats.

Yellow gold
14K · 18K

White gold
14K · 18K

Rose gold
14K · 18K

Platinum
950

The Atelier

A drawing is a promise the metal has to keep

The house works from plates: full-size drawings that fix the proportion, the seat diameters and the wall thickness before anything is cut. When a plate is approved it is numbered and kept. Every piece made from it carries that number.

What the builder shows you is the delivered model itself: the same solids the bench works from, down to the 3,400 grains on the plaque. The seats are where they will be cut, and the stone you set in each one is the stone that will sit there.

01

The plate

Drawn at scale, tested, approved by the Chief Designer, numbered.

02

The alloy

Melted to the purity you chose. 14K and 18K gold; 950 platinum as its own standard.

03

The bench

Raised, forged, granulated. Days, not minutes, and one piece at a time.

04

The setting

Seats cut to your individual stones, set in the order you placed them.

The Founder

Surrounded by Beauty, on Purpose

Maggie at the bench, threading a pendant
Maggie at the bench, September 2026

Margarita Morales — Maggie — was raised in a home where beauty marked life's most meaningful moments. Birthdays, anniversaries, the milestones and the quiet days in between: in her family, jewelry was how you told someone you matter. Some pieces were simple, some extraordinary. Every one of them was chosen with feeling.

That is how she has always looked at the world. A lifetime of travel — Toledo, Washington, Istanbul, Madrid, Houston, Caracas, Cuzco, Colombia — has led her back, again and again, to the jewelry cases of museums and historic houses, searching for the small detail that makes a piece unforgettable. Her mother's rings. Her aunt's emerald-and-diamond pendant. Nothing she has lost was ever measured by its price — only by what, and whom, it carried.

L'Vinci exists because of that. Every piece here is drawn by hand, granulated by hand, made one at a time — because jewelry is memory you can wear, and memory cannot be mass-produced. When you commission a piece, Maggie sits with you: your stone, your story, your setting, until the design is entirely yours and true to your life. Then the bench takes over, and the metal keeps the promise.

Her husband often says that she loves surrounding herself with beautiful people — and he is right. The people are her jewels. The things are made for them to keep.